134 bars of 4/4 at 140 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-27, 29 and 31, and 26 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 21 times: bars 20, 32, 36, 44, 64, 76 and 15 more.
5 more fills are written out on the fills page.
134 bars across 10 sections: 82 keep time, 21 are fills, 16 are stops and 8 are silent. The longest unbroken stretch of time is bars 5-19.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
134 bars, about 3:50 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 20, 32, 36, 44, 64, 76 and 15 more.