188 bars of 4/4 at 150 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 64-66, 68-70 and 72-74, and 7 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 22, 26, 30, 34, 38, 42 and 18 more.
8 more fills are written out on the fills page.
188 bars across 14 sections: 82 keep time, 24 are fills, 47 are stops and 24 are silent. The longest unbroken stretch of time is bars 55-61.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
188 bars, about 5:01 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 22, 26, 30, 34, 38, 42 and 18 more.