82 bars of 4/4 at a walking 95 BPM, 3:27 of playing, on crash, ride, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 19 more places -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 9 times: bars 16, 24, 36, 44, 48, 52 and 3 more.
82 bars across 7 sections: 64 keep time and 9 are fills. The longest unbroken stretch of time is bars 1-15.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
82 bars, about 3:27 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 16, 24, 36, 44, 48, 52 and 3 more.