147 bars of 4/4 at 130 BPM, about 4:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 116-117, 120 and 124-125, and 5 more places -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 123 times: bars 1, 2, 3, 4, 7, 8 and 117 more.
5 more fills are written out on the fills page.
147 bars across 4 sections: 21 keep time, 123 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 95-98.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
147 bars, about 4:30 at the written tempo. The course breaks it into 21 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 123 times: bars 1, 2, 3, 4, 7, 8 and 117 more.