287 bars at 200 BPM -- fast, and 5:59 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 74, 76-78 and 80-82, and 11 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 90, 172, 180, 195, 196, 197 and 4 more.
2 more fills are written out on the fills page.
320 bars across 14 sections: 216 keep time, 10 are fills, 7 are stops and 78 are silent. The longest unbroken stretch of time is bars 1-53.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
287 bars, about 5:59 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 90, 172, 180, 195, 196, 197 and 4 more.