145 bars of 7/4 -- not four -- at 160 BPM, 6:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3 and 5-12 -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 25, 33, 37, 39, 41, 49 and 2 more.
3 more fills are written out on the fills page.
145 bars across 12 sections: 53 keep time, 8 are fills and 72 are silent. The longest unbroken stretch of time is bars 1-12.
160 BPM, in 7/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
145 bars, about 6:43 at the written tempo. The course breaks it into 41 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 25, 33, 37, 39, 41, 49 and 2 more.