67 bars of 3/4 -- not four -- at 85 BPM, 2:24 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-9, 21-23 and 25-28, and 1 more place -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 20 times: bars 10, 11, 12, 17, 18, 35 and 14 more.
7 more fills are written out on the fills page.
67 bars across 6 sections: 33 keep time, 20 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 22-34.
85 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
67 bars, about 2:24 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 10, 11, 12, 17, 18, 35 and 14 more.