126 bars of 4/4 at 138 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 26-27 and 40, and 15 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 fills to learn, played 24 times: bars 1, 5, 9, 13, 15, 17 and 18 more.
13 more fills are written out on the fills page.
126 bars across 9 sections: 77 keep time, 24 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 64-77.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
126 bars, about 3:38 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 24 times: bars 1, 5, 9, 13, 15, 17 and 18 more.