65 bars of 4/4 at a walking 87 BPM, 2:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 15, 19-20 and 33, and 2 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 33 times: bars 2, 3, 4, 10, 14, 16 and 27 more.
6 more fills are written out on the fills page.
65 bars across 9 sections: 23 keep time, 33 are fills and 1 is silent. The longest unbroken stretch of time is bars 6-9.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
65 bars, about 2:58 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 2, 3, 4, 10, 14, 16 and 27 more.