356 bars of 4/4 at a walking 104 BPM, 12:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 109-118, 120-143 and 232, and 15 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 25 times: bars 36, 40, 42, 43, 44, 52 and 19 more.
11 more fills are written out on the fills page.
356 bars across 40 sections: 226 keep time, 25 are fills, 31 are stops and 44 are silent. The longest unbroken stretch of time is bars 109-143.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
356 bars, about 12:57 at the written tempo. The course breaks it into 87 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 25 times: bars 36, 40, 42, 43, 44, 52 and 19 more.