121 bars of 4/4 at a walking 95 BPM, 5:06 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17-23 and 25-28, and 7 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 30, 58, 87, 91, 95, 96 and 8 more.
4 more fills are written out on the fills page.
121 bars across 11 sections: 83 keep time, 14 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 17-29.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 38 out of 100; the rest of the number is everything around it.
121 bars, about 5:06 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 30, 58, 87, 91, 95, 96 and 8 more.