125 bars of 4/4 at 130 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-21 and 23-25, and 7 more places -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 13 times: bars 12, 16, 26, 30, 34, 48 and 7 more.
9 more fills are written out on the fills page.
125 bars across 7 sections: 71 keep time, 13 are fills, 28 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-11.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
125 bars, about 3:51 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 13 times: bars 12, 16, 26, 30, 34, 48 and 7 more.