125 bars at 160 BPM -- fast, and 3:08 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5 and 7, and 23 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20 fills to learn, played 47 times: bars 6, 8, 16, 17, 18, 26 and 41 more.
16 more fills are written out on the fills page.
125 bars across 8 sections: 59 keep time, 47 are fills and 8 are stops. The longest unbroken stretch of time is bars 101-107.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
125 bars, about 3:08 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 47 times: bars 6, 8, 16, 17, 18, 26 and 41 more.