351 bars of 4/4 at 116 BPM, about 12:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 222-228 and 230-243 -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 64 times: bars 9, 14, 27, 36, 52, 68 and 58 more.
26 more fills are written out on the fills page.
351 bars across 43 sections: 174 keep time, 64 are fills, 16 are stops and 54 are silent. The longest unbroken stretch of time is bars 223-243.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
351 bars, about 12:28 at the written tempo. The course breaks it into 154 exercises over 48 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 64 times: bars 9, 14, 27, 36, 52, 68 and 58 more.