114 bars of 4/4 at 115 BPM, about 3:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 5 and 25, and 19 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 41 times: bars 2, 3, 4, 6, 7, 8 and 35 more.
14 more fills are written out on the fills page.
114 bars across 14 sections: 54 keep time, 41 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 42-47.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
114 bars, about 3:58 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 41 times: bars 2, 3, 4, 6, 7, 8 and 35 more.