152 bars at 170 BPM -- fast, and 3:31 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 56-58, 64-66 and 121-123, and 3 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 47 times: bars 16, 19, 31, 32, 33, 34 and 41 more.
12 more fills are written out on the fills page.
152 bars across 13 sections: 57 keep time, 47 are fills, 14 are stops and 22 are silent. The longest unbroken stretch of time is bars 94-100.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
152 bars, about 3:31 at the written tempo. The course breaks it into 53 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 47 times: bars 16, 19, 31, 32, 33, 34 and 41 more.