192 bars of 4/4 at a walking 108 BPM, 7:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 57-63, 65-72 and 113-115, and 2 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 45 times: bars 18, 19, 20, 28, 29, 30 and 39 more.
18 more fills are written out on the fills page.
192 bars across 17 sections: 109 keep time, 45 are fills, 13 are stops and 8 are silent. The longest unbroken stretch of time is bars 131-147.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
192 bars, about 7:07 at the written tempo. The course breaks it into 70 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 45 times: bars 18, 19, 20, 28, 29, 30 and 39 more.