380 bars of 4/4 at 120 BPM, about 12:35 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 183-184, 191-193 and 195-197, and 10 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 48 times: bars 13, 29, 33, 40, 49, 66 and 42 more.
26 more fills are written out on the fills page.
380 bars across 58 sections: 180 keep time, 49 are fills, 51 are stops and 67 are silent. The longest unbroken stretch of time is bars 340-350.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
380 bars, about 12:35 at the written tempo. The course breaks it into 113 exercises over 28 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 48 times: bars 13, 29, 33, 40, 49, 66 and 42 more.