278 bars of 4/4 at a walking 83 BPM, 13:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-39, 42-47 and 66-71, and 1 more place -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 51 times: bars 32, 40, 48, 49, 53, 56 and 45 more.
20 more fills are written out on the fills page.
278 bars across 25 sections: 137 keep time, 51 are fills, 26 are stops and 45 are silent. The longest unbroken stretch of time is bars 4-24.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
278 bars, about 13:24 at the written tempo. The course breaks it into 67 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 51 times: bars 32, 40, 48, 49, 53, 56 and 45 more.