200 bars of 4/4 at a walking 90 BPM, 8:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 22-24, and 10 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 35 times: bars 9, 13, 17, 25, 29, 33 and 29 more.
8 more fills are written out on the fills page.
200 bars across 16 sections: 75 keep time, 35 are fills, 38 are stops and 40 are silent. The longest unbroken stretch of time is bars 118-132.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
200 bars, about 8:53 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 35 times: bars 9, 13, 17, 25, 29, 33 and 29 more.