137 bars of 4/4 at 152 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-39, 41-47 and 65-71, and 1 more place -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 17 times: bars 16, 32, 48, 64, 72, 76 and 11 more.
9 more fills are written out on the fills page.
137 bars across 15 sections: 97 keep time, 17 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-15.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
137 bars, about 3:36 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 16, 32, 48, 64, 72, 76 and 11 more.