126 bars of 4/4 at 120 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-48, 50-53 and 73-75, and 4 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 46 times: bars 18, 20, 21, 22, 23, 24 and 40 more.
17 more fills are written out on the fills page.
126 bars across 17 sections: 45 keep time, 46 are fills, 14 are stops and 10 are silent. The longest unbroken stretch of time is bars 12-17.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
126 bars, about 3:57 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 46 times: bars 18, 20, 21, 22, 23, 24 and 40 more.