345 bars of 4/4 at a walking 100 BPM, 14:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 141-149, 151 and 153-155 -- 4.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 112 times: bars 25, 27, 28, 29, 33, 35 and 106 more.
28 more fills are written out on the fills page.
345 bars across 23 sections: 125 keep time, 112 are fills, 19 are stops and 69 are silent. The longest unbroken stretch of time is bars 205-218.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
345 bars, about 14:56 at the written tempo. The course breaks it into 107 exercises over 36 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 112 times: bars 25, 27, 28, 29, 33, 35 and 106 more.