126 bars at 165 BPM -- fast, and 3:03 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 59, 88 and 94, and 9 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 37 times: bars 1, 2, 4, 6, 8, 18 and 31 more.
12 more fills are written out on the fills page.
126 bars across 13 sections: 60 keep time, 37 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 32-37.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
126 bars, about 3:03 at the written tempo. The course breaks it into 53 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 37 times: bars 1, 2, 4, 6, 8, 18 and 31 more.