175 bars of 4/4 at 140 BPM, about 5:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 61-67, and 6 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 5, 6, 7, 8, 9, 10 and 24 more.
10 more fills are written out on the fills page.
175 bars across 21 sections: 103 keep time, 30 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 59-67.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
175 bars, about 5:00 at the written tempo. The course breaks it into 67 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 5, 6, 7, 8, 9, 10 and 24 more.