111 bars of 4/4 at 116 BPM, about 3:51 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 29-31 and 33-34, and 12 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 19 times: bars 8, 10, 11, 12, 20, 28 and 13 more.
5 more fills are written out on the fills page.
111 bars across 11 sections: 74 keep time, 19 are fills and 8 are silent. The longest unbroken stretch of time is bars 104-111.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
111 bars, about 3:51 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 8, 10, 11, 12, 20, 28 and 13 more.