98 bars of 4/4 at a walking 82 BPM, 4:47 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 17 and 21, and 11 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 17 times: bars 8, 12, 20, 28, 32, 36 and 11 more.
5 more fills are written out on the fills page.
98 bars across 10 sections: 66 keep time, 17 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 91-97.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
98 bars, about 4:47 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 8, 12, 20, 28, 32, 36 and 11 more.