100 bars of 4/4 at a walking 79 BPM, 5:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 15-17, 27-29 and 76-78 -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 49 times: bars 5, 7, 8, 9, 10, 11 and 43 more.
11 more fills are written out on the fills page.
100 bars across 8 sections: 36 keep time, 49 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 25-29.
79 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 66 out of 100; the rest of the number is everything around it.
100 bars, about 5:02 at the written tempo. The course breaks it into 37 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 49 times: bars 5, 7, 8, 9, 10, 11 and 43 more.