163 bars of 4/4 at 110 BPM, about 5:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 10 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 61, 65, 68, 69, 77, 83 and 12 more.
8 more fills are written out on the fills page.
163 bars across 7 sections: 125 keep time, 18 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 5-45.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
163 bars, about 5:52 at the written tempo. The course breaks it into 36 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 61, 65, 68, 69, 77, 83 and 12 more.