101 bars of 4/4 at a walking 77 BPM, 5:12 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6 and 8, and 15 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 20, 21, 29, 46, 50, 64 and 7 more.
5 more fills are written out on the fills page.
101 bars across 14 sections: 69 keep time, 13 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 2-18.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
101 bars, about 5:12 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 20, 21, 29, 46, 50, 64 and 7 more.