42 bars at 158 BPM -- fast, and 1:04 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-13, 15-16 and 35-37, and 1 more place -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 2, 6, 10, 14, 17, 18 and 7 more.
4 more fills are written out on the fills page.
42 bars across 5 sections: 24 keep time, 13 are fills and 1 is a stop. The longest unbroken stretch of time is bars 20-25.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
42 bars, about 1:04 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 2, 6, 10, 14, 17, 18 and 7 more.