103 bars of 4/4 at a walking 78 BPM, 5:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 21-22 and 39-41, and 3 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 16 times: bars 8, 20, 23, 42, 45, 64 and 10 more.
7 more fills are written out on the fills page.
103 bars across 14 sections: 56 keep time, 16 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 29-34.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
103 bars, about 5:17 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 8, 20, 23, 42, 45, 64 and 10 more.