136 bars of 4/4 at 150 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-33, 36-37 and 40-41, and 2 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 38, 39, 42, 43, 46, 54 and 6 more.
1 more fill is written out on the fills page.
140 bars across 18 sections: 83 keep time, 12 are fills, 7 are stops and 15 are silent. The longest unbroken stretch of time is bars 15-32.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
136 bars, about 3:36 at the written tempo. The course breaks it into 54 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 38, 39, 42, 43, 46, 54 and 6 more.