57 bars, 3:34, at 64 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 24, 28 and 32-33, and 4 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 22, 30, 34, 38, 42, 44 and 1 more.
2 more fills are written out on the fills page.
57 bars across 7 sections: 40 keep time, 8 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 5-13.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
57 bars, about 3:34 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 22, 30, 34, 38, 42, 44 and 1 more.