151 bars of 4/4 at 145 BPM, about 4:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 65-67, and 11 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 fills to learn, played 51 times: bars 2, 4, 5, 6, 7, 8 and 45 more.
15 more fills are written out on the fills page.
151 bars across 11 sections: 84 keep time, 51 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 95-105.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
151 bars, about 4:10 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 51 times: bars 2, 4, 5, 6, 7, 8 and 45 more.