164 bars of 4/4 at 122 BPM, about 5:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56, 59 and 62, and 9 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 12, 20, 24, 29, 30, 38 and 14 more.
10 more fills are written out on the fills page.
164 bars across 20 sections: 97 keep time, 20 are fills, 16 are stops and 10 are silent. The longest unbroken stretch of time is bars 105-113.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
164 bars, about 5:34 at the written tempo. The course breaks it into 68 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 12, 20, 24, 29, 30, 38 and 14 more.