153 bars of 4/4 at 126 BPM, about 4:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-27, 57-62 and 85-87, and 8 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 31 times: bars 20, 36, 48, 63, 64, 68 and 25 more.
11 more fills are written out on the fills page.
153 bars across 17 sections: 86 keep time, 31 are fills, 11 are stops and 11 are silent. The longest unbroken stretch of time is bars 4-19.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
153 bars, about 4:51 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 31 times: bars 20, 36, 48, 63, 64, 68 and 25 more.