50 bars of 4/4 at a walking 90 BPM, 2:13 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 34-37, 39-41 and 43-45, and 1 more place -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 1 time: bar 50.
50 bars across 6 sections: 37 keep time, 1 is a fill, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 35-49.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
50 bars, about 2:13 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 50.