176 bars of 4/4 at 128 BPM, about 5:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-21 and 64-79 -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 22, 26, 30, 38, 46, 54 and 10 more.
5 more fills are written out on the fills page.
176 bars across 15 sections: 120 keep time, 17 are fills and 22 are stops. The longest unbroken stretch of time is bars 1-21.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 65 out of 100; the rest of the number is everything around it.
176 bars, about 5:30 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 22, 26, 30, 38, 46, 54 and 10 more.