115 bars of 3/4 -- not four -- at 134 BPM, 3:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 73-75, 77-79 and 81-83, and 1 more place -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 25 times: bars 23, 24, 28, 32, 34, 36 and 19 more.
12 more fills are written out on the fills page.
115 bars across 12 sections: 66 keep time, 25 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 74-87.
134 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 43 out of 100; the rest of the number is everything around it.
115 bars, about 3:38 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 25 times: bars 23, 24, 28, 32, 34, 36 and 19 more.