377 bars of 3/4 -- not four -- at 102 BPM, 11:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-41, 61-67 and 69-75, and 6 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46 fills to learn, played 82 times: bars 1, 9, 17, 25, 29, 33 and 76 more.
42 more fills are written out on the fills page.
377 bars across 31 sections: 254 keep time, 82 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 77-92.
102 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
98 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
377 bars, about 11:10 at the written tempo. The course breaks it into 133 exercises over 42 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
46 fills to learn, played 82 times: bars 1, 9, 17, 25, 29, 33 and 76 more.