135 bars at 165 BPM -- fast, and 4:02 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11 and 13-14 -- 3.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 5, 6, 8, 9, 16, 17 and 17 more.
9 more fills are written out on the fills page.
135 bars across 9 sections: 74 keep time, 23 are fills, 3 are stops and 31 are silent. The longest unbroken stretch of time is bars 52-76.
165 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
88 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 100 out of 100; the rest of the number is everything around it.
135 bars, about 4:02 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 5, 6, 8, 9, 16, 17 and 17 more.