152 bars of 4/4 at 120 BPM, about 5:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-45, 60 and 62-63, and 6 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 61, 78, 86, 133, 134, 140 and 1 more.
152 bars across 18 sections: 105 keep time, 7 are fills, 20 are stops and 6 are silent. The longest unbroken stretch of time is bars 23-33.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
152 bars, about 5:02 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 61, 78, 86, 133, 134, 140 and 1 more.