102 bars, 6:17, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 2, 26-28 and 30-32, and 15 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 25 times: bars 29, 33, 49, 53, 55, 57 and 19 more.
7 more fills are written out on the fills page.
102 bars across 10 sections: 57 keep time, 25 are fills and 11 are silent. The longest unbroken stretch of time is bars 15-25.
65 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
102 bars, about 6:17 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 29, 33, 49, 53, 55, 57 and 19 more.