65 bars of 4/4 at a walking 77 BPM, 3:13 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-34, 36-38 and 45-47 -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 23, 24, 25, 26, 27, 48 and 3 more.
1 more fill is written out on the fills page.
65 bars across 9 sections: 36 keep time, 10 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 14-22.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
65 bars, about 3:13 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 23, 24, 25, 26, 27, 48 and 3 more.