111 bars of 4/4 at a walking 100 BPM, 4:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 31-44 and 71-77, and 3 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 48, 51, 101, 103 and 111.
111 bars across 11 sections: 80 keep time, 5 are fills, 3 are stops and 13 are silent. The longest unbroken stretch of time is bars 13-28.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
111 bars, about 4:26 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 48, 51, 101, 103 and 111.