50 bars of 4/4 at a walking 84 BPM, 2:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 22-24, 29 and 46-49 -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 13 times: bars 16, 17, 25, 31, 32, 33 and 7 more.
50 bars across 5 sections: 23 keep time, 13 are fills and 8 are silent. The longest unbroken stretch of time is bars 9-15.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
50 bars, about 2:23 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 13 times: bars 16, 17, 25, 31, 32, 33 and 7 more.