229 bars of 4/4 at 125 BPM, about 6:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 103-104, 108 and 128-130, and 6 more places -- 5.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 41 times: bars 2, 3, 5, 6, 7, 11 and 35 more.
22 more fills are written out on the fills page.
229 bars across 29 sections: 124 keep time, 41 are fills, 26 are stops and 5 are silent. The longest unbroken stretch of time is bars 42-54.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
229 bars, about 6:36 at the written tempo. The course breaks it into 113 exercises over 37 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 41 times: bars 2, 3, 5, 6, 7, 11 and 35 more.