129 bars of 4/4 at 133 BPM, about 3:53 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 18-19, and 6 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 40 times: bars 1, 10, 11, 12, 13, 15 and 34 more.
15 more fills are written out on the fills page.
129 bars across 12 sections: 68 keep time, 40 are fills and 3 are stops. The longest unbroken stretch of time is bars 98-107.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
129 bars, about 3:53 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 40 times: bars 1, 10, 11, 12, 13, 15 and 34 more.