80 bars of 4/4 at 140 BPM, about 2:10 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 7-9 and 12-14, and 1 more place -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 30 times: bars 5, 10, 15, 22, 26, 28 and 24 more.
8 more fills are written out on the fills page.
84 bars across 8 sections: 42 keep time, 30 are fills and 3 are stops. The longest unbroken stretch of time is bars 33-37.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
80 bars, about 2:10 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 25 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 5, 10, 15, 22, 26, 28 and 24 more.